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638 积分 2026-01-15 加入
“Calming my heartbeat to enjoy the show”: the social-indexical meanings of in-yer-face theater recontextualized in China
3个月前
已完结
“Experiential, not speculative”: Love In and After In-Yer-Face
3个月前
已完结
中国舞台上的马丁·麦克多纳（2008-2017）
3个月前
已完结
A Theory of Adaptation
4个月前
已完结
Embodied spectators: relationships between creators and their audiences
4个月前
已完结
Martin McDonagh’s The Pillowman and the Postmodern Gothic
4个月前
已完结
A Theory of Adaptation
4个月前
已关闭
The discourse of the Other in Martin McDonagh's The Pillowman
4个月前
已完结
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