旋律
计算机科学
人工智能
聚类分析
模式识别(心理学)
等高线
短语
降维
地理
地图学
艺术
音乐剧
视觉艺术
作者
Michal Goldstein,Roni Granot,Pablo Ripollés,Morwaread Farbood
标识
DOI:10.31219/osf.io/pkfwx
摘要
Previous studies investigating common melodic contour shapes have relied on methodologies that require prior assumptions regarding the expected contour patterns. Here, a new approach for examining contour using dimensionality reduction and unsupervised machine-learning clustering methods is presented. This new methodology was tested across four sets of data — two sets of European folksongs, a mixed-style, curated dataset of Western music, and a set of Chinese folksongs. In general, the results suggest the presence of four broad common contour shapes across datasets: convex, concave, descending, and ascending. In addition, the analysis revealed some micro-contour tendencies, such as pitch stability at the beginning of phrases and descending pitch at phrase endings. These results are in line with previous studies of melodic contour and provide new insights regarding the prevalent contour characteristics in Western music.
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