官僚主义
美学
现实主义
社会主义经济学
日常生活
神话学
政治经济学
政治学
社会学
艺术
经济体制
文学类
经济
政治
法学
摘要
In this essay Bartlett claims that in its official version fashion was embedded in the socialist mythical reality, both as a part of the centralized economies and their five-year plans, and as an image of conventional yet unachievable elegance, obeying in this sense the aesthetics of socialist realism. Bartlett argues that such bureaucratic over-centralization was not only in line with the prevailing economic model, but also demonstrated the socialist fear of change and discontinuity of time. Preferring the synchronic, systematic level over the diachronic, processive level, the Soviet authorities attempted to control and tame fashion trends through centralized systems of clothes production and distribution. In contrast to socialist official fashion, Bartlett situates everyday fashion in a fluid space in which the official, the informal and the illegal were equally present. It could be obtained at state ateliers, acquired through the prohibited services of a seamstress, or sewn by oneself. In contrast to the concept of timelessness, which defined socialist official fashion, everyday fashion acknowledged change and was served by a faster flow of time.
科研通智能强力驱动
Strongly Powered by AbleSci AI