Weird Ghosts of the Anthropocene: The Spectral Encounter in New Weird Fiction as a Conceptual Metaphor for Ecocritical Theory

In The Great Derangement, Amitav Ghosh links the reluctance of contemporary fiction to tackle the environmental crisis to the inadequacy of realism, with which Western “high” literature has been associated since the rise of the modern novel, to describe the “hyperobject” quality (Clark 140) of the Anthropocene. This paper argues that the genre labeled as New Weird, which strives to portray the Unheimlich, the eerie, or precisely the weird in our familiar reality, offers an answer to this aesthetic challenge, having found an especially powerful literary device in spectral encounters. In the works of New Weird author China Miéville, environmental concerns are often embodied by the encounter of human protagonists with the ghostly apparitions of non-human entities, from icebergs floating in the sky over London to a sunken oil platform re-emerging from the sea. A close reading of three stories from his collection Three Moments of an Explosion, “Polynia”, “Covehithe” and “Estate”, will show how Miéville’s portrayal of people’s behavior in encountering ‘weird’ spectral presences bear a specific ecological significance. This significance, which is common to many different authors of New Weird fiction, reverberates in the use of spectrality as a conceptual metaphor in contemporary ecocritical theory, thus corroborating the claim of this genre as the most productive for our historical times.