谈判
透视图(图形)
想象中的
互文性
适应(眼睛)
阅读(过程)
媒体研究
社会学
会合(天文学)
文学类
历史
性别研究
美学
政治学
视觉艺术
艺术
法学
社会科学
心理学
精神分析
物理
天文
神经科学
标识
DOI:10.1080/14608944.2023.2274826
摘要
Most research on films as sites of nation-building centers on on-screen storylines, whereas intertextual references and off-screen representations of nationhood receive less attention. This article proposes a combined approach to further explore the nation-building potential of films, using as a case study the film adaptation Kahlil Gibran’s The Prophet. Through a close reading of the film in conjunction with its intertextual references and the filmmakers’ media interviews, the article explores the construction and negotiation of Lebanese nationhood and history under Ottoman rule. Special attention is paid to how the film’s production, funding, circulation and reception are related to nation-building.
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