协奏曲
巴洛克风格
艺术
钥匙(锁)
文学类
艺术史
哲学
计算机科学
钢琴
计算机安全
作者
Omer Maliniak,Yoel Greenberg
摘要
Abstract We examine the evolution of the form of the first movement in the eighteenth-century concerto from the Baroque ritornello plan to the eighteenth-century Classical concerto by means of a statistical corpus study. Our data yields a more nuanced understanding of several key characteristics of this evolution, characteristics that have been observed by both contemporary and present-day theorists. We demonstrate how the rise in both quantity and thematic quality of the soloist’s part enabled the convergence of ritornello practices with sonata-form features. We conclude with analytical case studies of works by C. P. E. Bach and Josef Mysliveček, showing how their formal solutions fit within this evolutionary process.
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