合法性
艺术
政治
首都(建筑)
商业历史
萎靡不振
象征性资本
政治经济学
政治资本
社会学
政治学
经济
经济史
法学
社会科学
历史
考古
免疫学
生物
作者
Ian Jones,Nicholas Wong,Marta Herrero,Andrew Smith
出处
期刊:Business History
[Taylor & Francis]
日期:2022-12-18
卷期号:66 (6): 1552-1579
被引量:20
标识
DOI:10.1080/00076791.2022.2151587
摘要
This paper advances our understanding of how organisations engage in the process of Bourdieusian capital conversion during crises of socio-political legitimacy. We do so by analysing the arts sponsorship strategies of Barclays between 1972 and 1987. During this period, Barclays faced numerous challenges to its organisational legitimacy as a result of its continued dealings in apartheid South Africa and its ability to generate extraordinary profits despite general economic malaise in Britain. As a response, Barclays increased its sponsorship of the arts, exchanging its substantial economic capital for the symbolic capital associated with high-status arts institutions. We identify the forces that facilitated and inhibited these capital exchanges and how they affected Barclays' sponsorship strategies. This paper will be of interest to Bourdieusian scholars interested in capital exchange, to business historians interested in banking in Britain during the 1970s and 1980s, and researchers interested in the evolution of corporate sponsorship and philanthropy.
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