New Media, Visual Consumption, and Scopophilia: The Use of YouTube by Male as Means of Escapism

逃避现实 愉快 视觉媒体 消费(社会学) 互动性 凝视 媒体消费 数字媒体 对象(语法) 心理学 新媒体 社会化媒体 存在感 广告 多媒体 计算机科学 虚拟现实 人机交互 社会心理学 美学 艺术 人工智能 万维网 业务 神经科学
作者
Adde Oriza Rio
出处
期刊:Jurnal Inter Act [Atma Jaya Catholic University of Indonesia]
卷期号:1 (2): 1-10
标识
DOI:10.36388/ia.v1i2.706
摘要

Uses and gratifi cation theory stated that audiences have media-related needs and they will use media actively and rationally to satisfy those needs. Does this also apply to new media? According to Ruggeiro (2000) new media has some characteristic that is interactivity, demassifi cation, and asynchroniety. Lister et al. (2003) also found some characteristics of new media which are digital, interactive, hyper-textual, virtual, networked, and simulated. Therefore, conceptually, the ability of audiences to use new media to satisfy their needs will be greater because they can choose more freely what to do with new media in accordance with their needs. One of the audience’s motivations in media use is to escape from routine activities. Eye is the most used sense in new media consumption and Freud (1910) says that seeing activity will produce visual pleasure (scopophilia). However, Mulvey (1989) says that visuality is gendered so whenever a male use their eyes to see female body, they will do what is called by Mulvey as ‘male gaze’ which is seeing activity that put female as sexual object of male visuality. YouTube is a site that presents so many video contents that can be selected by the audiences to watch. This paper examines how ‘male gaze’ is performed as visual consumption on YouTube as means of escapism.

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