民族志
电影制作
调解
社会学
代表(政治)
参与者观察
认识论
美学
人类学
社会科学
艺术
视觉艺术
哲学
政治学
电影院
政治
法学
标识
DOI:10.1146/annurev-anthro-102218-011324
摘要
The senses are made, not given. Multisensory anthropology focuses on the variable boundaries, differential elaboration, and many different ways of combining the senses across (and within) cultures. Its methodology is grounded in “participant sensation,” or sensing—and making sense—along with others, also known as sensory ethnography. This review article traces the sensualization of anthropological theory and practice since the early 1990s, showing how the concept of sensory mediation has steadily supplanted the prior concern with representation. It concludes with a discussion of how the senses are engaged in filmmaking, multispecies ethnography, and material culture studies as well as in achieving social justice.
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