描绘
生物
人类中心主义
神话学
文学类
光学(聚焦)
美学
透视图(图形)
艺术
否定
历史
哲学
语言学
视觉艺术
环境伦理学
考古
物理
自然(考古学)
光学
作者
Augustín Sokol,Jozefa Pevčíková
出处
期刊:Ars aeterna
[De Gruyter]
日期:2021-12-01
卷期号:13 (3): 42-56
被引量:1
摘要
Abstract Howard Phillips Lovecraft is widely considered to be one of the most influential writers of modern horror fiction and one of the main pioneers of the genre in its current form. One of the less discussed attributes of his work is his use of animal symbolism, despite how common it is, and serves several important functions. We will examine the different forms of animal symbolism in Lovecraft’s writing, their use and their respective functions. Our main goal will be to examine how animal symbolism in Lovecraft’s work was influenced by cultural and mythological sources and his own opinions towards different creatures and what they represent, in which case we will examine how his knowledge and beliefs may have influenced his depiction of animals. Our focus will be on the depiction of cats, dogs, snakes, aquatic, and amphibious animals as these play a significant role Lovecraftian fiction. We will also examine how animal symbolism connects to the key themes in cosmic horror, such as its negation of anthropocentrism.
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