运动(音乐)
对象(语法)
抓住
心理学
剪辑
魔术(望远镜)
认知心理学
人工智能
沟通
计算机科学
计算机视觉
美学
艺术
量子力学
物理
程序设计语言
作者
Davide Quarona,Atesh Koul,Caterina Ansuini,Luca Pascolini,Andrea Cavallo,Cristina Becchio
标识
DOI:10.1177/1747021820918533
摘要
Professional magicians regularly use pantomimed grasps (i.e., movements towards imagined objects) to deceive audiences. To do so, they learn to shape their hands similarly for real and pantomimed grasps. Here we tested whether this form of motor expertise provides them a significant benefit when processing pantomimed grasps. To this aim, in a one-interval discrimination design, we asked 17 professional magicians and 17 naïve controls to watch video clips of reach-to-grasp movements recorded from naïve participants and judge whether the observed movement was real or pantomimed. All video clips were edited to spatially occlude the grasped object (either present or imagined). Data were analysed within a drift diffusion model approach. Fitting different models showed that, whereas magicians and naïve performed similarly when observing real grasps, magicians had a specific advantage compared with naïve at discriminating pantomimed grasps. These findings suggest that motor expertise may be crucial for detecting relevant cues from hand movement during the discrimination of pantomimed grasps. Results are discussed in terms of motor recalibration.
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