土生土长的
野生动物
政治
野生动物保护
政治学
环境伦理学
介绍(产科)
语言变化
经济正义
社会学
法学
生态学
生物
医学
艺术
哲学
文学类
放射科
作者
Goutam Karmakar,Somasree Sarkar
标识
DOI:10.1080/09640568.2022.2078182
摘要
The present article seeks to situate the Bollywood film, Sherni (2021), directed by Amit Masurkar, within the paradigm of ecocinema. In doing so, the article strives to scrutinize the film's presentation of multi-level challenges within the system of conservation. The article thus, first explores how the film depicts the challenges arising from the conflict between development and conservation; second, how it investigates the challenges caused by the entanglement of the conservation system and corruption; and third, how the film attempts to explore the (im)possibility of attaining "Environmental justice," keeping in view the interests of wildlife and of the indigenous people.
科研通智能强力驱动
Strongly Powered by AbleSci AI