唯物主义
社会文化进化
性别不平等
社会学
不平等
性别研究
美学
分散注意力
工作(物理)
光学(聚焦)
心理学
艺术
认识论
哲学
人类学
工程类
机械工程
数学分析
物理
数学
光学
神经科学
作者
Vigor Yang,Adrienne Evans
出处
期刊:Frontiers
[Project MUSE]
日期:2023-01-01
卷期号:44 (2): 53-69
标识
DOI:10.1353/fro.2023.a902526
摘要
Abstract: Domesticity in women’s art has been explored in a number of recently emerging writings and artistic projects. In this article, we focus on three British and Chinese women artists’ work: Jemima Brown’s Our Lady of Perpetual Distraction , Tao Aimin’s Women’s River , and Gao Rong’s Guangzhou Station—Things in the Bag , with analysis that explores overlaps between them as part of a transcultural condition. These overlaps are defined as “touchpoints”, as a way to capture transient, fluid or intra-secting moments where ideas within artworks meet. We pay attention to gender division/inequality that is informed by a new materialist and phenomenological feminist methodology. This article facilitates an in-depth analysis of women’s art from a transcultural understanding and challenges the current sociocultural binaries inherent in gender relations.
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