循环(流体动力学)                        
                
                                
                        
                            广告                        
                
                                
                        
                            媒体研究                        
                
                                
                        
                            社会学                        
                
                                
                        
                            大众文化                        
                
                                
                        
                            传媒业                        
                
                                
                        
                            政治学                        
                
                                
                        
                            业务                        
                
                                
                        
                            公共关系                        
                
                                
                        
                            工程类                        
                
                                
                        
                            航空航天工程                        
                
                        
                    
            作者
            
                Benjamin M. Han,Dal Yong Jin,Kyong Yoon            
         
                    
        
    
            
            标识
            
                                    DOI:10.1177/15274764241303735
                                    
                                
                                 
         
        
                
            摘要
            
            Despite Netflix’s status as a dominant global streaming service, it is irrefutable that the platform has facilitated the circulation of media content from different national markets to its subscribers around the world. This increased circulation has been accompanied by the platforms’ exploration of local cultures for global audiences. Specifically, Netflix has sought to represent and repackage local cultures in allegedly “authentic” ways. Drawing on a critical analysis of Netflix’s industry discourses, interviews with Korean content creators, and a textual analysis of the original Korean series Squid Game (2021–present), the article explores how Netflix formulates and disseminates its lore of cultural authenticity as a distinct brand to enhance its international presence. We argue that Netflix’s branding of original Korean series as culturally authentic, further grounded in a particular mode of portraying Korean culture for imagined global (non-Korean) audiences, involves representational practices of what we refer to as speculative Koreanness.
         
            
 
                 
                
                    
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