2019年冠状病毒病(COVID-19)
歌词
唱歌
分离(微生物学)
大流行
视觉艺术
2019-20冠状病毒爆发
严重急性呼吸综合征冠状病毒2型(SARS-CoV-2)
心理学
艺术
美学
互联网隐私
沟通
计算机科学
文学类
医学
爆发
病理
病毒学
经济
管理
传染病(医学专业)
微生物学
生物
疾病
出处
期刊:Leisure Sciences
[Taylor & Francis]
日期:2020-06-24
卷期号:43 (1-2): 273-279
被引量:28
标识
DOI:10.1080/01490400.2020.1774013
摘要
Through the lens of contagion theory, this paper examines the act of sanitizing tactile references in popular music at a time of legislated and extreme isolation. "Sweet Caroline" is an infectious tune that embraces togetherness and intimacy both lyrically and through its live performance. However, on March 22, 2020, Neil Diamond posted on Twitter a clip of himself, alone in front of a fireplace, singing a modified version of his hit song which reworked the lyrics of "touching hands" to "washing hands" and "touching me, touching you" to "don't touch me, I won't touch you." More viral than COVID-19 itself, the revised "Sweet Caroline" has spread to over five million viewers in a couple of short weeks. Touch, during the COVID-19 pandemic, has become devalued at a time when it should be celebrated as a point of comfort in the present and as hope for the future.
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