Black Frankenstein in D’Souza’s 2016: Obama’s America

This essay offers a critical rhetorical analysis of neoconservative filmmaker Dinesh D'Souza's popular political documentary film, 2016: Obama's America. I argue that the documentary's narrative emulates conservative Black Frankenstein stories, whereby a monstrous black slave revolts against his white slave owner, justifying a violent white backlash to restore white supremacy [Young, E. (2008). Black Frankenstein: The making of an American metaphor. New York: New York University Press]. Obama's America re-presents overt and inferential antiblack racist caricatures that depict President Obama as a ruling mixed mulatto monstrosity determined to destroy America. I argue that D'Souza's documentary aimed to revive extreme white conservative resistance to Obama's presidency, specifically by equating Obama's 2012 re-election with America's looming economic collapse and escalating threats of Islamist terrorism. To deflect racist accusations, D'Souza adopts a journalistic persona and re-presents a colonial narrative, which suggests that racism and colonialism no longer exist, thereby sanitizing and idealizing contemporary America neocolonialism. Finally, I argue that the popular conservative depictions of Obama as a menacing mulatto monster destroying America were precursors of a white backlash against America's first black U.S. president and his multicultural coalition, culminating in Donald Trump's presidential victory in 2016.