乌托邦
梦想
现代性
天堂
反乌托邦
中国
城市社会学
理想(伦理)
艺术
历史
美学
文学类
艺术史
社会学
政治学
社会科学
法学
心理学
考古
神经科学
出处
期刊:Palgrave Macmillan UK eBooks
[Palgrave Macmillan UK]
日期:2002-01-01
卷期号:: 17-40
被引量:2
标识
DOI:10.1007/978-1-137-07001-2_2
摘要
The seventeenth-century novel, Xingshi yin yuan zhuan (The Tale of Marriage Destinies that will Bring Society to its Senses), provides rare and fascinating insights into the rhythm of urban and rural life in late imperial China. Like many other writings of the time it depicts China on the verge of modernity, as a world torn between the traditional agricultural society and the new challenges of urban life, commerce and a money economy.1 The shifts from conventional norms and values gave rise to concepts of utopia and anti-utopia; to nostalgia for a lost paradise of the past and to apocalyptic satire on present conditions. In the Tale of Marriage Destinies, the contrast between local society in both city and countryside is linked to the dream of an ideal, utopian world and its satirical inversion — the grotesque nightmare of anti-utopia.2KeywordsSeventeenth CenturyMing DynastyProvincial CapitalConspicuous ConsumptionConfucian ScholarThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
科研通智能强力驱动
Strongly Powered by AbleSci AI