Visual identity in costume design of the cinematic Queen's character

性格(数学) 女王(蝴蝶) 身份(音乐) 艺术 服装设计 视觉艺术 沟通 美学 心理学 数学 动物 几何学 生物 膜翅目
作者
Marwa Muhammad Salih Odeh
出处
期刊:International Journal of Design and Fashion Studies 卷期号:4 (1): 228-244
标识
DOI:10.21608/ijdfs.2021.187015
摘要

The research revolves around the role of the costume designer for cinematic films in achieving visual illusion in the design of costumes for the characters that playA major role in a film that takes place in the distant or near future, by designing a visual identity that serves as a historical referenceTo limit the previous civilizations of a people, and to find a balance between the design mechanism represented in the structural lines of the costume and theTechnical work requirements, where the research talks about the designer's ability to technically and technically treat the surface of the material in an innovative wayThe perceptual characteristics of the material are among the important and influential features in the degree of compatibility of the elements of the artwork, especially when they are in agreement withThe content and idea of ​​the work.The research reviews the fashion design of three royal characters in three different styles of films presented, the sample of the research, the personalThe first is the character of the Queen Mother of Canada from the movie Panther Black, which won the Oscar for BestFashion design and how to treat the African identity of the Queen's costume and the reflection of the design on the future civilization of this African countryWhich has the best advanced technology in the world.The second character is Queen (Padem) in the costume of the Kingdom of the Elders from the movie Star Wars, which is inspired by the costumes of the Queen, his wife (Genghis).Khan (the Emperor of the Mughals, and in which the research reviews how to draw inspiration from the historical identity of the Mughal civilization in designing a royal costume inouter space in the distant future.The third character is Queen Ravenna from the movie Snow White and the Hunter, and the extent to which the psychological state of the character is reflected on the designThe costume as well as the design process and the surface treatment of the costume in an innovative and unconventional way, in which the designer expresses his complex queen psychology.and fragile.
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