生产(经济)
工作(物理)
社会学
民族志
计算机科学
业务
最佳实践
公共关系
知识管理
同行生产
营销
生产理论
对比度(视觉)
知识生产
认识论
生产经理
美学
弹道
生产模式
酒厂
谈判
出处
期刊:Organization Science
[Institute for Operations Research and the Management Sciences]
日期:2026-01-30
卷期号:37 (3): 989-1018
标识
DOI:10.1287/orsc.2024.19496
摘要
Organizations emphasize specific production practices to deal with authenticity pressures, but the practices that signal authenticity to audiences must be continually adapted when production environments are unstable. Changes in the environment can make production practices suddenly infeasible, compelling organizations to perform in different ways the highly visible practices that audiences have come to associate with authenticity. However, authenticity research tends to take the continuity of production practices for granted, focusing on whether certain practices are made visible or not, and leaving unexamined how practices are made legible as they are adapted. Drawing on 16 months of ethnographic fieldwork at a renowned winery (Cal-Cru), I identify a novel form of authenticity work—trajectory normalizing work—that Cal-Cru’s production team performed internally, out of view from external audiences, to guide production changes. Specifically, the team created contrast cues to inform their actions. They avoided changes that would noticeably alter parts of production visible to audiences, or that clashed with their own understanding of authenticity. Doing so created a reassuring sense among the team that they were departing from audience expectations to sustain, not compromise, the practices that conveyed authenticity. My study highlights the backstage tensions constructing authenticity in unstable production environments.
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