电影院
中国
现代化理论
城市化
现代性
凤凰
全球化
抗性(生态学)
描绘
农村地区
性别研究
政治学
艺术
历史
社会学
经济增长
艺术史
文学类
大都市区
法学
生态学
考古
生物
经济
标识
DOI:10.1080/14791420.2022.2096912
摘要
This article examines stories of migrant rural women in films by Chinese female directors, focusing on two films that span ten years of China's heightening urbanization and globalization: Women's Story (dir. Peng Xiaolian, 1989) and Out of Phoenix Bridge (dir. Li Hong, 1997). It analyses the gendered perspective the films bring to rural women's experience of migration and modernization, arguing that they challenge stereotypes of rural women as headstrong but uncivilized and less modern than urban residents. The films’ depiction of women's resistance toward patriarchal norms and their participation in the market economy enhances the understanding of China's post-reform modernity.
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