符号学
主观性
认识论
主题(计算)
实用主义
领域(数学)
基质(化学分析)
电影院
社会学
哲学
计算机科学
艺术
文学类
数学
材料科学
操作系统
复合材料
纯数学
作者
Marc Bekaert,Maarten Coëgnarts
出处
期刊:Semiotica
[De Gruyter]
日期:2023-05-24
卷期号:2023 (252): 27-49
标识
DOI:10.1515/sem-2022-0080
摘要
Abstract The goal of this article is to offer a new model for the study of ocularization in film grounded in the semiotic pragmatism of Charles Sanders Peirce. We first present a literature overview addressing the state of research regarding the theorization of ocularization in film studies. Second, we discuss Peirce’s three universal categories (Firstness, Secondness, and Thirdness) on which our model will be based. Third, we argue how the theme of ocularization in film, as outlined in the first part, can be theorized anew through these categories. This will result in the introduction of a nine-field matrix that will allow us to systemize all kinds of instances of subjectivity in cinema. Lastly, we will demonstrate the empirical usefulness of this model by illustrating each of the matrix’ nine categories through a discussion of Steven Soderbergh’s film Kimi (2022).
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