纪录片
书证
意识形态
后现代主义
订单(交换)
历史
视觉艺术
文学类
艺术
艺术史
政治学
法学
考古
政治
财务
经济
作者
Manxi Li,Wenqing Su,Xinman Li
出处
期刊:Scientific and social research
[Inno Science Press]
日期:2021-11-05
卷期号:3 (5): 169-173
标识
DOI:10.36922/ssr.v3i5.1246
摘要
After the birth of documentary film, the discussion of “fiction” and “non-fiction” has not stopped. Influenced by the ideological trend of postmodernism, “new documentary film” overturns the concept of traditional documentary film and believes that it is feasible and meaningful for documentary to take “fiction” as a means. Adhering to the “new” exploration of this documentary, the author discusses the historical origin of new documentary films, the authenticity of new documentary films at home and abroad and the creative techniques of new documentary films, in order to provide innovative support for the true publication of new documentary films.
科研通智能强力驱动
Strongly Powered by AbleSci AI