父权制
性别研究
社会学
拨款
俚语
代理(哲学)
歌词
艺术
语言学
社会科学
文学类
哲学
作者
Paul Ayodele Onanuga,Ayobami Olajumoke Onanuga
标识
DOI:10.1080/02589001.2023.2287427
摘要
Patriarchal tendencies are normative in hip-hop culture, necessitating contemporary calls for gender equality and wholesome gender representations. These have encouraged a 'talking back' where the marginalised re-appropriate established norms and consciously recreate their identities. Interrogating lyrics and videos of popular female Nigerian hip-hop artistes, we explore female agency and discuss how these artistes combat patriarchy and achieve linguistic reclamation of feminine identities. The Multimodal Social Semiotic Analysis framework is complemented with Womanism – an Africa-rooted strand of the feminist movement. The 'talking and taking back' were catalogued under four classifications: reactions and responses to female denigration and assault; combating patriarchy through challenging and reinventing gender roles; re-appropriation of pejoratives and assertion of stereotypes; and the use of sexual expressions, slurs, and slang in the renegotiation of female agency. These findings are important in a strongly patriarchal Nigerian society where female voices do not enjoy significant propagation. The re-creations and 'responses' assert female agency and consolidate the advocacies for equality and equity in gender relations.
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