On the viewing point of the novels in the 1990s

Abstract:In keeping with the flourish of the commercial parole and the decline of the illuminative thought, the viewing point of the novels in the 1990s assumes pluralistic framework. As the omnipotent narrative wanes, the sectional and the restrictive narrative prevail. The onlooking and thepeeking narrative are impersonal. The turn of the viewing point reacts against the fallacious and the giant and the vacuous narrative. At the same time, the writing get into vulgarization when the writersmisspend the onlooking and the peeking narrative.