Kevin Coleman and Daniel James (eds.), Capitalism and the Camera: Essays on Photography and Extraction

Is it possible that capitalism and photography share more than just a historical timeline, but also an inherent connection in their modes of operation? Does a comprehensive understanding of the origins of photography necessitate an exploration of the imperial violence and rights that underlie its inception? To what extent can photography, a medium often intertwined with capitalism's alluring influence, be effectively employed to conceptualize and construct alternative image-worlds? Can it serve as a catalyst for inspiring movements aimed at fostering greater freedom and equality across societal boundaries? In transcending its conventional role as a mere recording tool, can the camera assume a transformative role in expanding freedom and equality within society? These are among the critical inquiries posed by this thought-provoking book, compelling readers to engage in a discerning examination of the intricate connections between image production, economic systems, and societal metamorphosis.