人气
互联网隐私
社会学
民族志
空格(标点符号)
剪辑
业务
媒体研究
公共关系
广告
政治学
计算机科学
法学
操作系统
人工智能
人类学
出处
期刊:University of London - Goldsmiths
日期:2021-02-25
卷期号:15: 21-
被引量:179
摘要
TikTok is an app that allows people to create, share, and consume short-video content. Although only available internationally since 2017, it has already been downloaded more than 2 billion times and has around 800 million active users. Public interest in the fleeting and seemingly random video clips that TikTok hosts is high. In fact, it has grown steadily since the time of the Twitter-owned short-video app Vine that ended its service in 2016 with only a quarter of TikTok’s current userbase. However, despite this steady growth in popularity, observations and theorizations of short-video apps like TikTok remain lacking. In this article, I thus seek to address this lack by critically discussing how to study short-video communications from the bottom up and by presenting the results of an exploratory investigation into TikTok and its communicative forms. Doing so, this article contributes to opening a space for serious engagement with this burgeoning yet understudied element of digital culture in the future.
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