Although Flodoard of Reims is best known for his comprehensive historical writings, he also recorded separately the visions of a young girl named Flothilde. Re‐examining Flodoard's varied historical works in light of these visions reveals that he was unusually interested in visions generally, and particularly those of women. The question is why. In proposing answers, it will be suggested that both Flodoard's histories and Flothilde's visions represent a crucial moment in the transformation of ninth‐century Carolingian understandings of history, visions, and reform into the quite different patterns of the early eleventh century.