生物识别
生物特征数据
导播室
身份(音乐)
舞蹈
计算机科学
芭蕾
运动(物理)
人机交互
运动捕捉
多媒体
视觉艺术
人工智能
美学
艺术
电信
作者
Genevieve Smith-Nunes,Alex Shaw
标识
DOI:10.23919/ilrn55037.2022.9815898
摘要
This Doctoral Colloquium explores data ethics and biometric data through the development of an augmented reality (AR) classical ballet experience. This paper focuses on two areas: (i) The development and use of tool sets for motion capture and video extraction. (ii) On dancers' understanding and experiences of the 'body as a data artefact' for the creation of motion graphic (3D rigged) characters of an AR experience. Questions: (1) Is there a difference in sense of self (identity) between the human and the virtual? (2) How does sharing your personal biometric data make you feel? (3) How can biometric and immersive development tools be used in the computing classroom and dance studios to raise awareness of data ethics?
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