概念化
叙述的
美学
日常生活
集体记忆
身份(音乐)
舞蹈
社会学
心理学
历史
视觉艺术
艺术
认识论
文学类
语言学
哲学
神学
出处
期刊:Palgrave Macmillan UK eBooks
[Palgrave Macmillan]
日期:2015-01-01
卷期号:: 191-204
被引量:28
标识
DOI:10.1057/9781137293565_12
摘要
'Memory' eludes any neat definition. It is as difficult to define as it is for any one of us to stop and consciously note its use as we engage, as part of our human being-ness, in our everyday memorywork of collecting, recollecting and employing knowledge gained through experiences in and of the past. In human practice, memory, perhaps at its most basic, may be defined as acts of recounting or remembering experienced events, a conceptualization of memory as something intangible but performed in some manner over space and time. Yet memory is also simultaneously agentic in that it is an aspect of the social construction, production and performance of everyday, lived social life which, by extension, includes heritage and identity. This is memory manifested through forms of memorywork, ranging from individual reverie and oral narratives to physical individual or collective performances such as dance or the enactment of daily routines, secular and religious rituals, or festival celebrations.KeywordsSouth Asian WomanKhmer RougeMaterial TraceHeritage StudyUNESCO World Heritage SiteThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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