工厂(面向对象编程)
中国
媒体研究
社会学
政治学
性别研究
法学
计算机科学
程序设计语言
出处
期刊:Critical Arts
[Taylor & Francis]
日期:2023-07-04
卷期号:37 (4): 57-71
标识
DOI:10.1080/02560046.2023.2277294
摘要
Oscar's best feature-length documentary American Factory (2019) has garnered publicity on both sides of the Pacific for its nuanced presentation of US-Sino communication. The chronicle of a Chinese billionaire opening a factory in the Rust Belt state of Ohio re-figures the Orientalist convention in American cinema and throws light on the changing perceptions of Self and Other at the height of global capitalism. As an influential vehicle mediating personal and collective identities in the streaming era, the documentary manages to de-exoticise Chinese stereotypes for greater equity, diversity and inclusion.
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