Postmodern mythmaking in the digital age: Black Myth: Wukong and the reconfiguration of Journey to the West

Abstract Black Myth: Wukong, developed by the Chinese studio Game Science, offers a groundbreaking and innovative reimagining of Journey to the West, setting itself apart from previous adaptations. While earlier games have often taken creative liberties with the classic narrative, Black Myth: Wukong reinterprets central philosophical and narrative elements from the source text through postmodern storytelling techniques. The game distinguishes itself by adopting fragmented narratives, multi-perspective storytelling, and player-driven decision-making, challenging conventional linear structures and enabling players to actively shape the progression and outcome of the story. Through this interactive design, the game deconstructs traditional myth while maintaining the philosophical and thematic core of Journey to the West, particularly its interrogation of identity, authority, and destiny. The game also blends Eastern and Western cultural elements seamlessly, creating a globalized cultural pastiche that deepens players’ engagement through both visual aesthetics and interactive mechanics. On a religious level, it reconstructs spiritual experiences through digital technology, offering immersive practices such as meditation and cultivation, and reinterpreting traditional faith-based rituals within a modern virtual space. Seen as a whole, Black Myth: Wukong is more than just a game: it stands as a cultural artefact that redefines the possibilities of video game adaptation and offers a dynamic new perspective on an ancient Chinese narrative.