不稳定性
背景(考古学)
罗马尼亚语
危险工作
文化遗产
社会学
2019年冠状病毒病(COVID-19)
大流行
政治学
工作(物理)
性别研究
历史
疾病
医学
机械工程
语言学
哲学
考古
病理
法学
传染病(医学专业)
工程类
作者
Alina Maria Pavelea,Bogdana Neamţu
标识
DOI:10.1177/13675494231216402
摘要
The coronavirus disease (COVID)-19 pandemic was expected to be particularly detrimental for performing artists, given the nature of their work. The scarce literature on the precarity experiences of performers following the COVID-19 pandemic has predominantly focused on Western and Central Europe. The present article contributes to the literature by investigating the experience of Romanian performers before and after the COVID-19 outbreak through in-depth semi-structured interviews. Romania is a valuable case study, given its peculiarities in terms of cultural policy. After the fall of communism, cultural policy was characterised by a constant dominant strategic focus on (mostly religious) heritage, while the cultural funding model is particularly detrimental to smaller independent artists and organisations. By focusing on it, the study shows that research on precarity needs to be embedded in the local (cultural) policy context, as it shapes the precarity experiences of artists. Without a proper understanding of the policy context, research will likely fail to offer effective policy recommendations.
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