荒诞主义
戏剧
文学类
多样性(控制论)
现象
哲学
艺术
历史
认识论
计算机科学
人工智能
标识
DOI:10.7765/9781847791672
摘要
This book offers a comprehensive account of the absurd in prose fiction. As well as providing a basis for courses on absurdist literature (whether in fiction or in drama), it offers a broadly based philosophical background. Sections covering theoretical approaches and an overview of the historical literary antecedents to the 'modern' absurd introduce the largely twentieth-century core chapters. In addition to discussing a variety of literary movements (from Surrealism to the Russian OBERIU), the book offers detailed case studies of four prominent exponents of the absurd: Franz Kafka, Samuel Beckett, Daniil Kharms and Flann O'Brien. There is also wide discussion of other English-language and European contributors to the phenomenon of the absurd.
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