幻想
移情
电影院
叙述的
美学
艺术
感知
心理学
社会学
视觉艺术
社会心理学
文学类
神经科学
出处
期刊:Transgender studies quarterly
[Duke University Press]
日期:2022-11-01
卷期号:9 (4): 563-586
标识
DOI:10.1215/23289252-10133789
摘要
Abstract Narrative cinema holds the unique potential to absorb audiences in the sensory world of its characters. When mobilized in the service of depicting trans* experience, the specificity of the medium can generate deep empathy for trans* lives, an important ethical objective, especially in a society in which trans* lives are under attack. Through close formal analysis, this article shows how the 1997 film Ma vie en rose accomplishes this project by cinematically aligning film spectators with a transgender child's audiovisual perception. Ma vie en rose immerses the film spectator in Ludovic's fantasy world where they are completely accepted as they are, inspiring the spectator to become personally invested in Ludovic's well-being, and potentially contributing to a real-world social environment that fosters livable lives for gender-nonconforming children.
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