The Effects of Cultural Heritage Entertainment Program Characteristics on Cultural Identity and Museum Visit Intention : A Case Study of <National Treasure> in China

游戏娱乐 文化遗产 文化认同 宝藏 中国 社会学 身份(音乐) 文化旅游 表演艺术 媒体研究 广告 文化遗产管理 国家认同 艺术 文化分析 文化多样性 戏剧 舞蹈 参与者观察 心理学 实证研究 计算机辅助网络访谈 视觉艺术 非物质文化遗产
作者
Lin Wang,Cheeyun Lilian Kwon
出处
期刊:Munhwa gyeongje yeon'gu [Korea Association Of Cultural Economics]
卷期号:28 (3): 253-284
标识
DOI:10.36234/kace.2025.28.3.253
摘要

With the rapid development of globalization, China Central Television (CCTV) recognized the important role of cultural heritage–based entertainment programs in the reconstruction of cultural identity and produced the cultural heritage entertainment program National Treasure in 2017. Following the broadcast of National Treasure (Season 1), the number of online reservations for museum visits increased by approximately 30%. To examine the actual role of cultural heritage entertainment programs in enhancing cultural identity and stimulating cultural heritage tourism, this study conducted a survey of Chinese viewers who had watched National Treasure. The purpose was to explore the effects of viewers’ perceived characteristics of National Treasure on cultural identity and intention to visit related museums. A total of 223 valid questionnaires were collected through an online survey, and SPSS 23.0 and the SPSS PROCESS macro were used for data analysis to test the proposed hypotheses. The results identified the key characteristics of cultural heritage entertainment programs as entertainment, informativeness, empathy, performer attractiveness, and aesthetics. Among these characteristics, informativeness, empathy, and aesthetics were found to have significant positive effects on cultural identity, value identity, and museum visit intention, whereas entertainment and performer attractiveness did not show significant effects. Both cultural identity and value identity were found to have significant positive effects on museum visit intention. Furthermore, cultural identity was found to play a partial mediating role in the relationships between informativeness, empathy, aesthetics, and museum visit intention. Based on these findings, this study provides empirical evidence that can serve as foundational data for developing production strategies for cultural heritage entertainment programs aimed at enhancing cultural identity.

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