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文学类
判决
随意的
阿姨
奇怪的
艺术
艺术史
历史
哲学
精神分析
心理学
语言学
法学
政治学
认识论
标识
DOI:10.1353/prs.2013.a522066
摘要
Despite different mediums and audiences, Philip Roth and Woody Allen share an ability to frustrate fans and incense critics with their depictions of women, Jews, and themselves. This article traces the critical responses to these three representations and each artist’s response to that reception, illustrating the intertextual enmity between the two that culminated in Allen’s bitter caricature of Roth in Deconstructing Harry (1997) and Roth’s vindictive response in The Humbling (2009).
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